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Art Criticism

Music of the Spheres

Greta Alfaro

Indigo Dye: A Shared Language in the Global South

raquelvillarperez.com

Guerra and its Unexpected Polysemic Unfolding 

Nikki Luna

Winding the Roads to the Self

Poulomi Basu

On Heroes, Authenticity, and the Power of Infiltration

Josèfa Ntjam

Letting the Archive Speak of the Present

Xaviera Simmons

Visual Parables of Times

Tarrah Krajnak

Queering Boxing, Undoing the ‘Macho’

Clotilde Jiménez

Los Historiantes

Studio Lenca

Chaos as a Way of Organising Thoughts

Frida Orupabo

Architecture as Document

Mauro Restiffe

The Sheltering Pixel, and the conundrum of the double-standards

Javier Hirschfeld

Exhibition Reviews

Digital Clouds Don’t Carry Rain

Mónica Alcázar-Duarte

LGBTQ+ Liberation in the Andes through Q’iwa and Popular Celebrations

raquelvillarperez.com

Business as Usual

Alberta Whittle

Some Are Born to Endless Night – Dark Matter

Lina Iris Viktor

‘Poetics of Endurance’. Afterthoughts on The Space Between Things

Phoebe Boswell

Conversations

One of Yours: Presidential Candidate Daniel Mayrit Talks Images and Its Politics

Daniel Mayrit

Mountain of Salt

Bindi Vora

Playing as a Strategy for Imagining Identities

River Claure

Visualizing the Cholitas of the Future

Cholita Chic

On the Magic of Photography & Its Healing Prowess

Rafael Soldi

Considerations on  ‘Tropical Identity’

Joiri Minaya

‘We were always here’ and the use of artistic activism as a tool for raising awareness

Koral Carballo

Afro-Argentina or The Importance of Alternative Histories

Gaby Messina

‘A lot of the reasons why I make my work are a response to the terror that my life may not matter and that my history is disposable’

Alberta Whittle

‘It has been my choice to live a nomadic life’

Paola Torres Núñez del Prado

Conversations on Foremothers, Rituals, and Art Biennials  

Rehema Chachage

My Granddad’s Car

Karl Ohiri and Sayed Sattar Hasan
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