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Art Criticism

Music of the Spheres

raquelvillarperez.com

Indigo Dye: A Shared Language in the Global South

raquelvillarperez.com

Guerra and its Unexpected Polysemic Unfolding 

Usama Khan

Winding the Roads to the Self

Usama Khan

On Heroes, Authenticity, and the Power of Infiltration

Usama Khan

Letting the Archive Speak of the Present

Usama Khan

Visual Parables of Times

Usama Khan

Queering Boxing, Undoing the ‘Macho’

Usama Khan

Los Historiantes

Usama Khan

Chaos as a Way of Organising Thoughts

Usama Khan

Architecture as Document

Usama Khan

The Sheltering Pixel, and the conundrum of the double-standards

Usama Khan

Exhibition Reviews

Digital Clouds Don’t Carry Rain

raquelvillarperez.com

LGBTQ+ Liberation in the Andes through Q’iwa and Popular Celebrations

raquelvillarperez.com

Business as Usual

Usama Khan

Some Are Born to Endless Night – Dark Matter

Usama Khan

‘Poetics of Endurance’. Afterthoughts on The Space Between Things

Usama Khan

Conversations

One of Yours: Presidential Candidate Daniel Mayrit Talks Images and Its Politics

Usama Khan

Mountain of Salt

Usama Khan

Playing as a Strategy for Imagining Identities

Usama Khan

Visualizing the Cholitas of the Future

Usama Khan

On the Magic of Photography & Its Healing Prowess

Usama Khan

Considerations on  ‘Tropical Identity’

Usama Khan

‘We were always here’ and the use of artistic activism as a tool for raising awareness

Usama Khan

Afro-Argentina or The Importance of Alternative Histories

Usama Khan

‘A lot of the reasons why I make my work are a response to the terror that my life may not matter and that my history is disposable’

Usama Khan

‘It has been my choice to live a nomadic life’

Usama Khan

Conversations on Foremothers, Rituals, and Art Biennials  

Usama Khan

My Granddad’s Car

Usama Khan
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