‘We were always here’ and the use of artistic activism as a tool for raising awareness
(Originally published in C& América Latina on 27 March 2020) In her photographs, Mexican artist Koral Carballo, born in Veracruz in 1987, […]
Art Writing
Afro-Argentina or The Importance of Alternative Histories
(Originally published in C& América Latina on 21 January 2020) Gaby Messina began her professional career in publishing. Her interest in photography
Chaos as a Way of Organising Thoughts
(Originally published in Africanah on 9 December 2019) Frida Orupabo is a Norwegian artist who also has Nigerian heritage. Although embodied by
‘A lot of the reasons why I make my work are a response to the terror that my life may not matter and that my history is disposable’
(Originally published in C& América Latina on 3 December 2019. Chosen for the cover of the printed version launched at Art Basel
Architecture as Document
(Originally published in Photography+ on 2 December 2019) Brasilia is not your typical soulless, purpose-built national capital. The Brazilian city was designated
Some Are Born to Endless Night – Dark Matter
(First published in Africanah on 9 November 2019) Autograph has on display the first major solo exhibition in London of Lina Iris
Business as Usual
(First published in Africanah on 11 July 2019) ‘Business as usual’ is a set phrase used commonly in the business realm to
‘It has been my choice to live a nomadic life’
(Originally published in C& América Latina on 17 June 2019) Raquel Villar-Pérez: You have a long career as a practising artist, when
‘Poetics of Endurance’. Afterthoughts on The Space Between Things
(first published on Africanah on 8 April 2019) For the past ten weeks, Autograph has been home to one of the most
Conversations on Foremothers, Rituals, and Art Biennials
(Originally published in Africanah on 9 June 2018) ‘I am sure your spirit made its way home, for if spirits earn their