After completing an MA at SOAS, University of London, I began my professional career at Tate Modern where I contributed to the exhibitions of Olafur Eliasson and Magdalena Abakanowicz. I then joined Photoworks, the UK's longest-running festival of photography. Working as a Curator, I helped develop the concept of 'festival in a box' and managed various R&D and mentorship programmes for artists. My curatorial journey continued at Impressions Gallery, the oldest public gallery of photography in the North of England.

Alongside institutional work, I have pursued independent research, writing and curating. I am interested in the practice of women-identified image-makers from the Majority World, who address notions of migration, transnational feminisms, social and environmental justice, using de- and anti- colonial approaches in original, expansive ways. I have collaborated with distinguished art institutions in Valencia, Málaga, Girona, Seoul, London, Bogotá, Stockholm, Landskrona, and Gothenburg, and my writing appears regularly in art publications such as C& América Latina, The Latinx Project at NYU, British Journal of Photography, Photomonitor, Trigger, A*Desk, and Flash Art.

I have been in the jury of prestigious photography awards, including the Photography Network Book Prize and Project Grant Awards 2024, as well as the Hasselblad Award 2025, the largest international photography prize for a living artist.

As a recipient of a 2024-2025 Developing Your Art Practice Grant by Arts Council England, I am working on the project Understanding Latin American Art in the UK. I have also received curatorial research grants from Fundación Botín and Art Fund, and have presented my research at International Conferences such as the Association For Art History Annual Conference at UCL London, April 2023, and the International Symposium On the Edge of Visibility at the Pérez Art Museum in Miami, October 2023. 

I am a Ph.D student at the Edinburgh College of Art, University of Edinburgh 2025–2028. My project Articulating Migratory Photography: Latin American Women Artists in the UK hypothesises that there are parallels between the migratory experience and expanded photography, as they both go through processes of translation and adaptation. I am member of the research group Art and Identity Politics, University of Murcia, Spain, and since 2020,  have been a guest lecturer at universities in the UK and Spain.