On Heroes, Authenticity, and the Power of Infiltration
(Originally published in British Journal of Photography on 17 June 2021) Josèfa Ntjam’s images require care and attention. A consideration that directly […]
Visualizing the Cholitas of the Future
(Originally published in C& América Latina on 11 January 2023) Through their pop art, the duo, Cholita Chic, visualizes the cholita, who
Some Are Born to Endless Night – Dark Matter
(First published in Africanah on 9 November 2019) Autograph has on display the first major solo exhibition in London of Lina Iris
Winding the Roads to the Self
‘I am basking in the unexpected warmth of the heliosphere… You were there, standing alone, offering prayers for the days
Playing as a Strategy for Imagining Identities
(Originally published in C& América Latina on 1 March 2023) River Claure explores and questions the notion of identity as something essential
Business as Usual
(First published in Africanah on 11 July 2019) ‘Business as usual’ is a set phrase used commonly in the business realm to
Guerra and its Unexpected Polysemic Unfolding
(Originally published in A*Desk on 12 September 2022) Exquisite materials, seamless not-all-familiar-for-Western-eyes shapes, and a rich multi-layered background is whatGuerra, Nikki Luna’s most
Mountain of Salt
(Originally published in C4 Journal on 9 May 2023) Bindi Vora’s newest book Mountain of Salt (Perimeter Editions, 2023) is an assemblage of sorts.
LGBTQ+ Liberation in the Andes through Q’iwa and Popular Celebrations
(First published in C& América Latina on 7 June 2023) The photography exhibition documents how gender-diverse performers embodied the historical character La China
Indigo Dye: A Shared Language in the Global South
(Originally published in C& América Latina on 5 October 2022) Tracing the practices of Ana Teresa Barboza, Sandra Monterroso, Yee I-Lann,